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To the group's credit, however, Part III is one of the most varied and truly captivating albums that the R&B world has seen in a long time. Songs like 'I Think' and 'Player,' two monotonous attempts at romantic ballads, could have been deleted from the album without being missed. Part III is not without its shortcomings, however. Likewise, on 'Dance with Me,' an intricately produced song with an infectious heartbeat bass line, the group reminds listeners that their singing ability is in a league of its own. On 'It's Over Now,' the album's first single, the group does what they do best: combining impressive vocals with Bad Boy's trademark hip-hop production. Their latest release, Part III, further solidifies the group's appeal. But Bad Boy's resident gentlemen, 112, have always stood out from the crowd. Wilks of, noted 'Since New Edition and Boyz II Men ceded their R&B group throne of the '80s and early '90s, it's been hard to keep up with the myriad groups that have tried to take their place. Despite some clichéd lyrics (case in point - 'Don't Hate Me') and sagging ballads toward the middle of the album (although the ballad 'Missing You' is a well-crafted slice of true soul), this set is definitely a step in the right direction for a hard-working group one can happily classify as having evolved.' įelicia A. And as always, the group's vocals are nothing short of stellar. Other cuts on the album pick up where that one left off, utilizing cutting beats and electronic sounds, such as the album's dance-flavored opener 'Dance With Me,' the second single 'Peaches & Cream,' and 'All I Want Is You,' which is augmented with rock guitars to fine effect.
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The album's first single, 'It's Over Now,' is an aching slice of melodrama that proved to be the group's biggest hit to date, and one of the best singles of the year. A lot of the sappy ballads that impaired their previous outings are abandoned in favor of edgier, techno-flavored jams, resulting in a more modern and forward-sounding effort. Their second album, Room 112, despite the hits 'Love Me' and 'Anywhere,' failed to hint at any artistic progress for the group, but the third effort is a different story. Promis of Allmusic mentions in his review, '112 have proven themselves as one of the most successful and enduring acts to emerge from the 1990s urban music explosion, and continue to prove their longevity on their third set, Part III. We mean the right kind of bullets.' Jose F. Enter exhibit Part III: proof positive that Puffy's artists pack dance floors and hit the charts with bullets. Produced largely by group member Daron Jones, Part III sounds as if 112 have come to terms with lacking the all-out star power of the boy bands or the uber sentimentality of glory-years Boyz II Men. The ballads - 'Player,' 'Sweet Love,' 'Do What You Gotta Do' - drip with sweetness, but not at the expense of cool self-awareness. to bump - the jittery, futuristic 'Dance' bounces like something Judy Jetson would jam to when George isn't around, the prurient 'Peaches and Cream' thumps hard with synth rattles and a thug worthy groove. Here, the slain rapper's 'Dead Wrong' serves as intro music there, a vocal snippet from his 'Who Shot Ya' punctuates the R&B quartet's 'Dance With Me'. Kris Ex of Rolling Stone magazine, noted 'Puff Daddy continues to brand his soul acts with everything B.I.G. Part III received mixed to positive reviews from most music critics. The released version featured American rapper, Beanie Sigel. Elsewhere, in Australia, reaching number two on the country's ARIA Charts in April 2002 and registering as the 28th biggest song of the year.
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The song was nominated for Best R&B Performance by a Duo or Group with Vocal at the 44th Grammy Awards in 2002.Dance With Me was the third and final single peaking at number 39 on the Billboard Hot 100. The song charted at number 32 on the UK Singles Chart on 8 September 2001. It also topped the BillboardRhythmic Top 40 chart.
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Elsewhere, it peaked at number twenty-two on the UK Singles Chart, their first top 40 hit there.The second single, 'Peaches and Cream' peaked at number two on the BillboardHot R&B/Hip-Hop Songs chart and number four on the Billboard Hot 100, staying in the Top 40 for 25 weeks and making it their highest-charting Hot 100 single to date. The song's beat is an alternate version of the beat from rap group Mobb Deep's 1999 single, 'Quiet Storm'. The first single was 'It's Over Now' peaking at number one on the U.S.
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