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Of course, there had to be a moving narrative propelling it, but the idea of blending CG dinosaurs with live-action backgrounds is what made it exponentially ambitious by design. The aim was to give audiences the chance of witnessing a photorealistic interpretation of a lost world we could only imagine when visiting museums. Inevitably, comparisons to Don Bluth’s “ The Land Before Time” have always abounded.įrom a technical standpoint, “Dinosaur” would not only be Disney’s first foray into crafting fully 3D characters, but a ground for experimentation on a breathtakingly large scale.
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Sweeney), an Iguanodon raised by lemurs in the Cretaceous Period, who must join a migrating herd with his adoptive family after their home is destroy by a meteor. It tells the story of Aladar (voiced by D.B. Though nearly a dozen people were involved in the writing at different stages, the final screenplay was credited to John Harrison and Robert Nelson Jacobs. But by the time it reached co-directors Ralph Zondag and Eric Leighton after development limbo and multiple changes in leadership, the ambition was now to create a family product that capitalized on children’s fascination with the massive beasts that populated our world 65 million years ago. Sadly, we will likely never learn how this presumably more adult, and mix-medium piece using stop-motion and puppets, would have turned out.Įvidently, elements of that concept survived when Disney picked up the project. Paul Verhoeven was meant to direct an original screenplay by Walon Green, a project imagined as a serious two-hander focused on the lone journey of a dinosaur and a lemur. Back in the late '80s, the technology that would eventually bring it to life was still in its infancy.
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